In this extraordinary six-part series, film historian and critic Noel Burch uses clips of rare archival silent film treasures to take us on a riveting journey of discovery. How did silent film reach such incredible heights in a mere 30 years? Why did film in the United States so quickly become such a popular art form? 　　In the first program, Along the Great Divide: Great Britain 1900-1912, Burch examines early British classics like Rescued by Rover and other, rare films by Cecil Hepworth, Stuart Kinder, James Williamson, R.W. Paul and others to look at how the British "gentlemen inventors of the cinema" created entertainment for the poor. 　　The second part, Tomorrow the World: USA 1902-1914, looks at early film in America against the background of the immigrant masses streaming into the factories, slums and sweat-ships of early 20th century America. Films by Porter, Griffith, Reginald Baker, George Dobson, Stuart Blackton and others show how early American film invented social content and then dropped it for the development of narrative. 　　In the third program, She! Denmark 1902-1914, Burch looks at the incredible explosion of filmmaking in Denmark where mature cinema was born at a time when French and American films were simple melodramas. The earliest Danish film stars - Asta Nielsen and Urban Gad - played in remarkable films which were innovative in the technical aspects of lighting, camera angles and editing. 　　The fourth program, The Enemy Below: France 1904-1912 covers the early love affair between the cinema and the French working class through early Pathe and Gaumont productions, and rare films of Leonce Petter, Louis Feuilliade, (including his celebrated serials Les Vampires, Judex and Vendemaire) and Jacques Feyder's Crainquebille. 　　Post-Revolutionary Russia was a period of extraordinary social and cultural experiment, and in the fifth program of this landmark series about the early years of the cinema, Noel Burch focuses on the sexual politics of the Soviet cinema. The program, Born Yesterday: USSR 1926-1930 includes obscure films like The House on Trubnaya Square by Boris Barnet, Ermler's Katka's Apples and Remnants of an Empire, Vertov's Kino-Eye and Kozintsev and Trauberg's The Devil Wheel in a unique look at a great era of cinema in a climate of virulent change. 　　In Under Two Flags: Germany 1926-1932, Burch discusses the German silent cinema, including landmark German films like Billy Wilder, Robert Siodmak and Edgar Ulmer's People on Sunday, Brecht and Dudow's Kuhle Wampe and Jutzi's Berlin Alexanderplatz. These films were part of the "populist" cinema of the Weimer Republic, the German Worker's Film. Ironically, these films were ultimately replaced by the more palatable and cheerful films of Siodmak and Wilder, and the victory of Nazism.

In this extraordinary six-part series, film historian and critic Noel Burch uses clips of rare archival silent film treasures to take us on a riveting journey of discovery. How did silent film reach such incredible heights in a mere 30 years? Why did film in the United States so quickly become such a popular art form? 　　In the first program, Along the Great Divide: Great Britain 1900-1912, Burch examines early British classics like Rescued by Rover and other, rare films by Cecil Hepworth, Stuart Kinder, James Williamson, R.W. Paul and others to look at how the British "gentlemen inventors of the cinema" created entertainment for the poor. 　　The second part, Tomorrow the World: USA 1902-1914, looks at early film in America against the background of the immigrant masses streaming into the factories, slums and sweat-ships of early 20th century America. Films by Porter, Griffith, Reginald Baker, George Dobson, Stuart Blackton and others show how early American film invented social content and then dropped it for the development of narrative. 　　In the third program, She! Denmark 1902-1914, Burch looks at the incredible explosion of filmmaking in Denmark where mature cinema was born at a time when French and American films were simple melodramas. The earliest Danish film stars - Asta Nielsen and Urban Gad - played in remarkable films which were innovative in the technical aspects of lighting, camera angles and editing. 　　The fourth program, The Enemy Below: France 1904-1912 covers the early love affair between the cinema and the French working class through early Pathe and Gaumont productions, and rare films of Leonce Petter, Louis Feuilliade, (including his celebrated serials Les Vampires, Judex and Vendemaire) and Jacques Feyder's Crainquebille. 　　Post-Revolutionary Russia was a period of extraordinary social and cultural experiment, and in the fifth program of this landmark series about the early years of the cinema, Noel Burch focuses on the sexual politics of the Soviet cinema. The program, Born Yesterday: USSR 1926-1930 includes obscure films like The House on Trubnaya Square by Boris Barnet, Ermler's Katka's Apples and Remnants of an Empire, Vertov's Kino-Eye and Kozintsev and Trauberg's The Devil Wheel in a unique look at a great era of cinema in a climate of virulent change. 　　In Under Two Flags: Germany 1926-1932, Burch discusses the German silent cinema, including landmark German films like Billy Wilder, Robert Siodmak and Edgar Ulmer's People on Sunday, Brecht and Dudow's Kuhle Wampe and Jutzi's Berlin Alexanderplatz. These films were part of the "populist" cinema of the Weimer Republic, the German Worker's Film. Ironically, these films were ultimately replaced by the more palatable and cheerful films of Siodmak and Wilder, and the victory of Nazism.

A young poet drops his girlfriend off at her parents' house and is amazed by its size. He bumps into her father, meets her mother and sister, and they all end up spending a long day together; fueled by conversation, food and libations.

When the members of a small storefront church called the True Vine find themselves worshiping next to a seedy nightclub called the Twenty Grand, they clash with the thugs who hang out there. But as each group tries to win control of the block and rid the community of an unwanted element, they learn that God may have other plans. This stage play by David E. Talbert was eventually adapted into the short-lived television series "Good News."

When two youngsters meet and fall for each other, they must go on the run from the girl's corrupt father, who is also the sheriff of the town.

全新非一般Talk騷《Mean Talk》，主持林盛斌、江美儀每集邀來星級嘉賓，以最Mean方式，要對方大膽講真話。內容涉及入行以來最委屈經歷、最匪夷所思娛圈秘聞、聽過最「直線挑機」的說話、影視生涯最污點節目！ 　　稱得上「Mean Talk」，嘉賓就要放下底線被Mean與Mean人。訪談之前，嘉賓更要簽署「Mean爆生死狀」，承諾剖白真心話，抽中問題，誠實作答，實行以「揞名爆」形式，唔開名，講真相！

全新非一般Talk騷《Mean Talk》，主持林盛斌、江美儀每集邀來星級嘉賓，以最Mean方式，要對方大膽講真話。內容涉及入行以來最委屈經歷、最匪夷所思娛圈秘聞、聽過最「直線挑機」的說話、影視生涯最污點節目！ 　　稱得上「Mean Talk」，嘉賓就要放下底線被Mean與Mean人。訪談之前，嘉賓更要簽署「Mean爆生死狀」，承諾剖白真心話，抽中問題，誠實作答，實行以「揞名爆」形式，唔開名，講真相！

Cady Heron is a hit with The Plastics, the A-list girl clique at her new school, until she makes the mistake of falling for Aaron Samuels, the ex-boyfriend of alpha Plastic Regina George.

Disgraced ex-England football captain, Danny 'Mean Machine' Meehan, is thrown in jail for assaulting two police officers. He keeps his head down and has the opportunity to forget everything and change the lives of the prisoners. When these prisoners have the chance to put one over the evil guards during a prison football match, Danny takes the lead.

New student Cady Heron is welcomed into the top of the social food chain by the elite group of popular girls called ‘The Plastics,’ ruled by the conniving queen bee Regina George and her minions Gretchen and Karen. However, when Cady makes the major misstep of falling for Regina’s ex-boyfriend Aaron Samuels, she finds herself prey in Regina’s crosshairs. As Cady sets to take down the group’s apex predator with the help of her outcast friends Janis and Damian, she must learn how to stay true to herself while navigating the most cutthroat jungle of all: high school.